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Right, I've seen Alan Gordon, and I've tried finding somewhere to change the mount, but haven't had any luck with that... Any idea where I should look for that service? I tried Axle Broda, bit he's not doing it anymore. Thanks

I have an Arri 35 BL 2 that has a bayonet mount. It's darn near impossible to find 35mm lenses that aren't PL mounts, and someone the other day mentioned that 16mm lenses could cover the entire frame? I was just wondering what sort of truth there was to this, and how it would differ from using...

I have an Arri 35 BL 2 that has a bayonet mount. It's darn near impossible to find 35mm lenses that aren't PL mounts, and someone the other day mentioned that 16mm lenses could cover the entire frame? I was just wondering what sort of truth there was to this, and how it would differ from using...

Mr. Mullen, I was wondering if you had any knowledge about where (if at all) Arri bayonet lenses for a 35mm camera could be rented? I don't seem to be having much luck turning anything up. Thanks, Jacob

Does anyone have any idea where you can still rent lenses for an arri bayonet mount for a 35mm camera? Thanks, Jacob

If you read anything in ASCmag you'll see that the majority of films coming out these days are still shot on 35mm film.

Here's a link to the eBay auction. http://cgi.ebay.com/GREAT-Arriflex-16-BL-Package-16mm-motion-picture-camera_W0QQitemZ290382625179QQcmdZViewItemQQptZFilm_Cameras?hash=item439c27399b#ht_500wt_1182 Thanks!

Hey everyone, If anyone is interested, or knows anyone who is interested, I am selling an Arriflex 16BL package for a fifth of what I paid for it. I've used it for a few projects, even a feature, and it works beautifully. What you get: Arriflex 16BL body Carl Zeiss 8mm Prime Carl Zeiss...

Can you blimp the 235 for shooting sound?

Shoot on film

I was thinking since I am going to do a DI I could shoot 3-perf Super for something around a 2.40:1? And I had one other quick question -- I just noticed that the Arri 235 is MOS, but I feel like I see it being used on a huge amount of productions... If you can't shoot sync with it, what would...

DI is definitely the route I'm going, since it will be cheaper than making so many prints. I have though about shooting 3-perf... any drawbacks to that? Oh, and any feelings about shooting recans? Thanks.

Yes it's for a short film. I want to finish on film, though I was looking to do a 2K DI.

Mr. Mullen, For my next project, I was thinking about moving up to 35mm, and I was wondering what are some things I should be considering or taking note of (besides the cost, of course!) when I do so? What will differ from shooting on 16mm? I am planning to shoot on an Arriflex 235 with Kodak...

Mr. Mullen, I was trying to figure out what stock was used on Schindler's List, but the internet doesn't seem to know. Any ideas? And out of the plus-x neg. and the double-x neg, which would be the closest to that stock? Jacob

Haha, it's all good

I have, but I prefer to have effects done in camera as far as VFX go... it just looks better.

I just got a new camera (Arri BL) and it came with 17 filters, UV, ND, Polarizing, Fog, Black Pro-Mist, etc. I was wondering, when you start a project, or begin working with new cameras, film, filters, whatever, what is your process for testing these kinds of things? Jacob

So if I am filming someone getting shot, let's say through the head, I know how to make blood splurt out the back of the head with compressed air and tubes, but how do you make it look like the bullet is hitting the forehead? I mean, the back of the head can't just blow out, there has to be an...

So if I am filming someone getting shot, let's say through the head, I know how to make blood splurt out the back of the head with compressed air and tubes, but how do you make it look like the bullet is hitting the forehead? I mean, the back of the head can't just blow out, there has to be an...