As I've said before, lighting is lighting. It's not a film vs. video issue except in a few cases where certain lighting tricks do not work as well with video if they rely on a lot of overexposure.
If you want a face to be lit like a Rembrandt or Vermeer painting, you are going to use the same lighting regardless of the format. The only difference will be in subtle things like the amount of fill light or how much color gelling to use, etc. If you want to copy the lighting of a scene from "The Godfather" (like an overhead softbox key in a dark wood-panelled room) or "Blade Runner" (such as a xenon sweeping through a window in a smoked room), then you are going to use lights that recreate that look regardless of whether you are shooting in film or video.
So if you want to be good at lighting, study great lighting regardless of whether you are shooting film or video. Study the light in nature, study the light in great paintings and photographs, study the lighting in movies with great cinematography, etc. Really learn to SEE light in all its glory, all its variations. Adjusting for the particular contrast range of a process or format is more of a last step compared to having the overall concept. Learn to exercise your visual imagination.