moushi
New member
Okay, let me just kick this off by saying I've been a lurker on these forums for a while, they're pretty cool. I'm a screen writing student. Anyways, I'm a daily visitor to dailyscript.com (amazingly awesome site) and today's script was The Last Kiss (http://www.dailyscript.com/scripts/A-Last-Kiss-script.pdf), written by Paul Haggis (adapted form an Italian script I believe). The very first line is a voice-over with Michael, telling us he's 29 years old, and he'll be 30 next month. He goes on to basically set up the entire story in voice over.
The script yesterday was I Think I love My Wife (http://www.dailyscript.com/scripts/I-Think-I-Love-My-Wife-script.pdf), written by Chris Rock and Louis C.K. A couple lines in, the exact same thing- "Hi, I'm Richard Cooper, I'm 30 years old, and I'm bored out of my fucking mind." "That's my wife..." etc.
I haven't seen either film, but why is this device used so frequently by screenwriters? I see this all the time in major scripts... why? Every time I write out a screenplay, I try to avoid voice over as much as possible unless I'm using it as a specific device, like characters being self-referential or something. Isn't film communicated in dialogue and the language of facial expression as emotion? How does opening, explanatory voice over help to get to that end? It seems like a crutch a lot of screenwriters use... I don't know.
The script yesterday was I Think I love My Wife (http://www.dailyscript.com/scripts/I-Think-I-Love-My-Wife-script.pdf), written by Chris Rock and Louis C.K. A couple lines in, the exact same thing- "Hi, I'm Richard Cooper, I'm 30 years old, and I'm bored out of my fucking mind." "That's my wife..." etc.
I haven't seen either film, but why is this device used so frequently by screenwriters? I see this all the time in major scripts... why? Every time I write out a screenplay, I try to avoid voice over as much as possible unless I'm using it as a specific device, like characters being self-referential or something. Isn't film communicated in dialogue and the language of facial expression as emotion? How does opening, explanatory voice over help to get to that end? It seems like a crutch a lot of screenwriters use... I don't know.