SNOOPYLEMANS
New member
dear mr mullen,
i am an avid reader of your generous posts here and on the cinematography list, thank you for sharing so much of what you know. i am a young producer working in china, and such knowledge has been very helpful and encouraging to me.
here's the situation:
we are shooting 35mm film in china, and our editor is from the US. we've shot at 24fps, and our telecine is coming back on DV PAL at 25fps, our editor is working in Final Cut Pro, and we will be going back out to film at 24fps.
the question is regarding the telecine method: they are adding a frame every 24 seconds. our editor is skeptical about how this method will affect our film out.
is this a preferred or acceptable telecine method for our end use, which is film? will there issues on synching sound, working this way? should we consider having them redo the telecine?
thank you in advance for your help.
sincerely,
ays
i am an avid reader of your generous posts here and on the cinematography list, thank you for sharing so much of what you know. i am a young producer working in china, and such knowledge has been very helpful and encouraging to me.
here's the situation:
we are shooting 35mm film in china, and our editor is from the US. we've shot at 24fps, and our telecine is coming back on DV PAL at 25fps, our editor is working in Final Cut Pro, and we will be going back out to film at 24fps.
the question is regarding the telecine method: they are adding a frame every 24 seconds. our editor is skeptical about how this method will affect our film out.
is this a preferred or acceptable telecine method for our end use, which is film? will there issues on synching sound, working this way? should we consider having them redo the telecine?
thank you in advance for your help.
sincerely,
ays