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Kodak B & W Reversal

wendja85

New member
Hey guys,

I am shooting a film in Kodak Tri-X Reversal in two weeks (fyi, its rated 200D 160T). I was wondering if anyone here has shot w/ this stock and any problems or issues I may encounter. Also, if you could tell me the advantages/disadvantages associated with it.

I am shooting all indoor, in two rooms flooded with daylight and one dark room lit w/ 1 halogen lightbulb. The parameters of my project is that I have to use available light.

thanks!

wendy
 
It's very high in contrast, so you have to nail the exposures. In fact, it can make a light-toned subject look overexposed and a dark-toned subject look underexposed, so you have to cheat a little for those. For example, I once shot on b&w reversal for an insert of some white tennis shoes or a bowl of cereal w/ milk and had to slightly underexpose those shots to hold detail in the whites.
 
true that, Reversal doesnt have as many latitudes. It is not as forgiving as Neg stock in that sence.

For specific looks refer to the Kodak student hand book.
http://www.kodak.com/US/en/motion/students/handbook/index.jhtml

they should have examples of the film stock you are using and different F stops, so this will help to determind your look
 
Thanks for the information!

I am thinking that the smaller latitude granted by B & W Reversal film may be to my advantage, I'm shooting a neo noir. What I'm thinking is i'll probably underexpose so it won't blow out details. And Mr. Mullen, were you referring to underexposing by rating it at a higher EI?

Also, what would the effects of skip bleach processing and of cross-processing on this stock of film?
 
***ALSO

How would you get the most "dead on" exposure? Would I be trying to take the average light reading and expose towards that? Would this bring out the most significant contrast?

In a situation where I have a dark room lit by bright daylight, versus a situation where a room is lit by a fluorescent light should I manipulate the rating based on how the stock is rated? (i.e. 200 for daylight indoor, and 160 for tungsten indoor lighting conditions?)

Thank you for the VITAL information!
 

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