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If you are shooting on a stage, what is the best way to create lightning flashes?

The viewfinder is on the back of the gl-1. It's got the eye cup that you put you're eye into. Save money and use that.

Thanks.

I guess I want to know the difference between 24p and 60i photography... sorry, I don't really understand anything dealing with HD that well.

What are the major differences between shooting on a camera that supports 24p versus one that supports 1080i? Are there major differences in quality, etc?

Thank a lot guys.

What are some ways to take 10 people and make it look like there are hundreds on screen? I know they did something like this in the newer Dawn of the Dead, so I was just wonder.

I've been reading a bit about digital intermediates lately. To sum it up, it seems that the DI stays at the post house for color grading only. Is there a way to get a DI and take it to where I am going to edit it and do my compositing and then take the final back to get recorded out to film? And...

If I shoot on color negative and then have the original telecined and then inverse the picture while editing, and then make my edl... is that just as good as having a work print made and have telecine done with the work print?

Alright. Thank's a lot.

What kind of lights would you suggest for inside the balloon? Would the Vision 500T be a good choice for these lighting conditions?

What is the best way to light an exterior night scene, particularly a large open field? In the woods? Also any lenses that would help also. (Shooting Kodak 500T)

Is there a way that once the telecined image is in the computer to eliminate the frame pull down so that when I create my EDL my original negatives conform correctly and so that the sound that I edit to the picture in the computer synchs up correctly?

If I shoot on reversal, would I still make an EDL and have them cut the orinal according to the EDL?

How do I edit in the computer so that when the picture is put back to film, everything syncs up?

I understand how you go from film to digital to edit in the computer... but how do you go from the final cut on the computer back out to film? I don't understand anything about cutting the neg either. Any help is great. Jacob