W
wailmich
Guest
Shooting on SRII 16mm (Kodak 500T and 200T), I recently ran into some issues where we had to shoot scenes with mixed tungsten and fluorescent practicals. In particular, we shot some long tracking setups, with different lighting mixtures in different rooms/hallways.
Didn't have access to green gels, so we just grey-carded before the shots, hoping the lab would correct for some of it.
Since we haven't gotten the film back yet, I guess this is a bit premature, but I was wondering if it'll be possible to color correct for the green, especially with skin tones. Also, in the future, what's the best way to white balance a lighting setup where we don't have much control over our practicals?
Thanks, David!
Didn't have access to green gels, so we just grey-carded before the shots, hoping the lab would correct for some of it.
Since we haven't gotten the film back yet, I guess this is a bit premature, but I was wondering if it'll be possible to color correct for the green, especially with skin tones. Also, in the future, what's the best way to white balance a lighting setup where we don't have much control over our practicals?
Thanks, David!