RESons RESons RESons...
RESons RESons RESons...
First and foremost, Chris Cunningham, Spike Jonze, Mike Mills (not listed), and Michel Gondry (not listed) are all very talented artists who are strikingly distinct and belong in a category all their own. Actually, they already do, “The Director’s Label”. Pick up any issue of RES Magazine and you're likely to see something of significance pertaining to any one of these three guys and their work. With Cunningham, Jonze, Mills, and Gondry, it's obvious that they aren't textbook filmmakers, they aren't playing it safe, and they for damn sure aren't sacrificing creativity for mass-market appeal, at least not yet. These guys are the real deal. It never fails for their work to yield phenomenal results, and that just amazes me.
I strongly suggest researching and viewing some these directors’ works. The Director’s Label/Palm Pictures has a collector series of these directors’ earlier works. I urge you to at least look at those.
Michel Gondry directed Eternal Sunshine of the Spotless Mind, so you can easily see that at the theater to get an idea of what I’m talking about. Pure genius man, there’s no other way to describe it.
Now…Sophia Coppola… Seriously, do I have to explain? Searching the last name in IMDB alone practically gives you a list of individuals all throughout the industry to reveal a family hierarchy of directors, cinematographers, actors, producers, writers, etc. Not just by design, but also by her own virtue she’s proving to be a filmmaker for the future.
On to Paul Thomas Anderson.
Paul Thomas Anderson has a very definitive style of filmmaking, not to the “Hitchcock Emulator” degree of Shyamalan, but he's got an edge that makes his films very appealing. Magnolia was quite an achievement, and Punch Drunk Love was simply beautiful. Paul Thomas Anderson also seems to have the ability to attract all-star casts, which can sometimes be disastrous for other films, but for him, it's perfectly orchestrated. The kid's got talent.
Wes Anderson (no relation to Paul Thomas Anderson) is without a doubt one of my favorite writers and directors.
He often works with the same actors, and as a result, the actors are very natural in the characters they play, and they all undoubtedly give great performances. Wes Anderson’s films ritualistically employ a detached comedy tempo, which is hard to describe, but it’s humorous nonetheless. I strongly suggest seeing Rushmore, The Royal Tenenbaums, and The Aquatic Life (to be released).
Darren Aronovsky holds nothing back; giving you everything he’s got to keep your eyes from wondering away from the screen. Certain sequences within his films are edited very unpredictably and create a unique tempo that compliments the gritty emotional tones that make his films feel as raw as they do real.
Guillermo Del Torro.
If you haven’t been watching this guy, I suggest you start right away. Here is a director who simply knows how to make a damn good movie. His next major film to be released is Hellboy, an obvious Hollywood blockbuster. But, I also suggest you see The Devil’s Backbone, and Mimic.
Hope that alleviates any of your concerns.