StudentFilmmakers Magazine Digital Edition | 2010, Vol. 5, No. 3

jodymichelle · Nov 14, 2010

<a href="https://www.studentfilmmakersforums.com/store/product.php?productid=17834&cat=417&page=1" target="_blank"><img src="http://www.studentfilmmakersforums.com/news/images/magazine-covers/medium/vol-5-no-3.jpg" width="300" height="383" hspace="10" border="0" align="left"></a>studentfilmmakers 2010, Vol. 5, No. 3 | The #1 Educational Resource for Film and Video Makers<a href="https://www.studentfilmmakersforums.com/store/product.php?productid=17834&cat=417&page=1" target="_blank">Digital Edition on sale now!</a>ON THE COVER:Stereographic Project: An actor gets his face scanned by light sensors. The first step in the process of making him into a 3D character. Photo by Madeline Eberhard.COVER HEADLINES:How To Make Actors into 3D CharactersRED ONE 3DFlorida State University Stereographic Project Stop Worrying and Love 3DDispatch: A True Life Creative Collaboration Steven Sprung's Feature Film Directorial DebutPLUS:<ul><li>On-Set Convergence</li><li>"What!?" ...And Other Bad Dialogue Writing</li><li> Shooting a Sitcom in One Day </li><li>Clearing Music for Your Film</li><li> Financing Films via the Kickstarter Method</li></ul>INSIDE PAGESCINEMATOGRAPHYThe Close-Up Lens with a Split Personality Getting to Know the Split-Field Lens by Ira TiffenCLOSE UPDispatch: A True Life Creative Collaboration Award Winning Editor Steven Sprung’s Feature Film Directorial Debut by Mary Ann Skweres3DFirst, Beg for Two Cameras The Film Student’s Stereographic Starting Point for RED ONE Users by Hali GardellaOn-Set Convergence by Ian JohnsonThe Process Used to Make the Actors into 3D Characters Key Features for the 3D Film by Evan Bollig , Ian Johnson, and Dr. Gordon ErlebacherHow I Learned to Stop Worrying and Love 3D Here are the basics of what I used to establish a 3D workflow from production to post to presentation. by William DonarumaSCREENWRITING“What!?” …And Other Bad Dialogue Writing Includes a Before-and-After Scene Re-write by Christopher BallPRODUCTIONShooting a Sitcom in One Day Here’s How We Did It by Scott EssmanANIMATIONCreate Highly Stylized, 2D Animated “South Park”-Like Cartoons 8 Tips and 7 Steps for Getting Started by Sherri SheridanEDITINGThe Power of Rubberbanding Reduce Your Render Time, Get a Better Sound Mix, and Avoid Losing Your Audio Smoothing by Jeff TurboffMUSIC AND SOUNDClearing Music for Your Film Negotiating the Rights Package; Library Music versus Original Scores by Steven AscherFILM BUSINESSFinancing Films via the Kickstarter Method The Crowdfunding Approach by Larry JaffeeCOMMENTARYBridge Work “Work done to pay the bills that allows you to the time to pursue your true passion and creative aspirations.” by Tim SmithShooting with the Canon HV20Filmmakers NetworkingStudentFilmmakers Magazine selects and spotlights the following filmmakers in <a href="http://networking.studentfilmmakersforums.com/" target="_blank">The Film and Video Makers Networking Community</a>:Luis Villalon Director of Photography Location: California, United StatesWannithilake Mudiyanselage Suminda Weerasinghe Cinematographer Location: Kotte, Sri LankaOlivier Koos Director of Photography Location: LuxembourgGiles Timms Director, Animator, Designer Location: California, United StatesAlso Inside:<ul><li>Featured Products and Serviecs</li><li>Call for Entries </li><li>Global Marketplace </li><li>Featured Events</li></ul> The Digital Edition is on sale now! <a href="https://www.studentfilmmakersforums.com/store/product.php?productid=17834&cat=417&page=1" target="_blank">Click here</a> to get a copy.

StudentFilmmakers Magazine Digital Edition | 2010, Vol. 5, No. 3

jodymichelle

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