For my next shooting the director asked for a kit of shift and tilt lenses.
I´ve never used this system even if I have a little idea of how they work.
We´ll shoot on super 16 with 35mm shift and tilt kit and I´m not sure about how the aperature will affect the depth of field in this case, those lenses are slower than other prime lenses (the 24mm that we´ll use opens at f4 wich is not really optimal for the super16 format if we want a shallow depth of field)
I´ve never used this system even if I have a little idea of how they work.
We´ll shoot on super 16 with 35mm shift and tilt kit and I´m not sure about how the aperature will affect the depth of field in this case, those lenses are slower than other prime lenses (the 24mm that we´ll use opens at f4 wich is not really optimal for the super16 format if we want a shallow depth of field)