Shooting on: MiniDV - PV-GS500
Location: 2 story house: living room/kitchen/dining room
Light Sources:
Some shots walk through the entire downstairs, showing all of these light sources during the take.
There are currently about 4-6 stops different between the inside and outside, depending on the location of the sun. Add some lighting equipment and change the bulbs in the practicals to 100W instead of 60, and I should bring it down to about 2-3 stop differences, maybe even one in closeups. But long shots, and traveling shots, where light sources originally hidden may become visible become a problem. So: ND6 or ND9s on the windows. Right? And maybe even CTO+ND6 combo gel so I don't have to balance my incandescents? The question is, is it possible to gel a huge window perfectly so you don't see odd streaks of dark overlap? Or, are there larger rolls than the usual 48"x25' ? Or am I going about the correction the wrong way? I don't want the outside to be blown out, nor the inside too dark. I shoot in a month. Thanks.
Location: 2 story house: living room/kitchen/dining room
Light Sources:
- Windows:
[list:869f6f1b91]4 Huge ones (one being 11x10 ft)
4 Small ones (approx. 3x5 ft)
- 5 ceiling lights
a few lamps here and there
- one above kitchen
Some shots walk through the entire downstairs, showing all of these light sources during the take.
There are currently about 4-6 stops different between the inside and outside, depending on the location of the sun. Add some lighting equipment and change the bulbs in the practicals to 100W instead of 60, and I should bring it down to about 2-3 stop differences, maybe even one in closeups. But long shots, and traveling shots, where light sources originally hidden may become visible become a problem. So: ND6 or ND9s on the windows. Right? And maybe even CTO+ND6 combo gel so I don't have to balance my incandescents? The question is, is it possible to gel a huge window perfectly so you don't see odd streaks of dark overlap? Or, are there larger rolls than the usual 48"x25' ? Or am I going about the correction the wrong way? I don't want the outside to be blown out, nor the inside too dark. I shoot in a month. Thanks.