F
Filmosity
Guest
I've been working on a shoot this week, pulling triple duty as grip, gaffer, and audio tech.
My question is regarding lav mics. I've been miking teenage girls for a fashion/teen style DVD shot on a DVX100a. We're using sennheiser wireless lav mics. Problem is, the girls have been wearing lots of layers (it's been cold in NYC) and their clothing tends to rub on the mics. No matter where I put the mics, either their long hair causes problems, or some piece of clothing, or the really thin pieces of clothing fold over from the weight of the mic and it gets lost.
Are there any tips from you sound guys for getting good audio with lav mics?
Also, what's good technique for boom operators. I've been doing that as well, and 1) boy are my arms tired *rim shot* and 2) it's difficult to follow the action and get good audio, especially when only two of the three subjects are miked with lavs. Any tips?
Thanks,
Chris
My question is regarding lav mics. I've been miking teenage girls for a fashion/teen style DVD shot on a DVX100a. We're using sennheiser wireless lav mics. Problem is, the girls have been wearing lots of layers (it's been cold in NYC) and their clothing tends to rub on the mics. No matter where I put the mics, either their long hair causes problems, or some piece of clothing, or the really thin pieces of clothing fold over from the weight of the mic and it gets lost.
Are there any tips from you sound guys for getting good audio with lav mics?
Also, what's good technique for boom operators. I've been doing that as well, and 1) boy are my arms tired *rim shot* and 2) it's difficult to follow the action and get good audio, especially when only two of the three subjects are miked with lavs. Any tips?
Thanks,
Chris