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I currently own a GL2 its a good camera, its cute, and clean. You can do alot of things BUT! if you are going to invest any money into a camera for a production I would HIGHLY!!!!!!!!!!!! recommend the Panasonic DVX 100 series camera... ANY is fine, they are THE BEST for this class of camera...

you sign up at IMBD pro.... and you have all the numbers and names of people who directed everyone around you etc. thats what everyone in da bizzzzz does lol GL! 14$ a month though, but if you are serious about film production it pays it self off.

It all depends on the curriculum the school sets for you. At the Mel Hoppenheim, where I currently study, Film Production has half of its core classes in the Film Studies department. They're trying to make ballanced filmmakers at our school lol. But it works, I've written alot of essays...

I dont think he ment in those terms exacly. His base of knownledge back in 1990 was most probably not Digital, maybe analogue, but the safest bet would be film bassed. There is a grave difference between digital and analogue. If you are shooting your shots with a handheld cam that has no...

any time

the second one, just for the fact that, the lens is larger... and this should result in better optics.. but the again this is JVC were talking about. And they buy parts to make their cameras.. jvc? :?

the sound quality will be horrible off the internet.... you really need to get access to sound libraries. MOUHAHAH MOUHAHAHHAHAHA.... lol sorry mad laughting cause I downloaded the entier 160 gigs of sound effects my school owned lol. I'll look for presure cut off sound effects, and I'll put...

well I dont know how much help I can be BUT, just need to know a few things before I can help. You say that the files are on a external hard drive. Is this HDD USB or Firewire. Next... if you havnt started the project yet, open the hard drive up... find your omf files and just drag them into...

the best thing to do is to make your self a demo reel. So just put like 3 of your best films in a 6 minute reel for people to see your "skills" and then attach a letter of intent with your reel. Clearly state what you want to do, where you want to be in 5-10 years and what your passions are...

To get the rights to music for festivals is pretty much simple. As long as you dont have any monetary gain, you can use what ever you want and not pay. Most festivals will want you to pay THEM to enter, but some times not. Here are a few things to know about music and rights. This info is...

You can, BUT it has to be at public events. If it is at any public event, like a parade of some sort. Then it is COMPLEATLY legal to shoot WHAT ever and WHO ever you want. Laws dictate that if a person is at a public event then they automaticly concent to being photographed without...

not really, lets see some pre-production on it ;) story boards etc.

well the beauty of having your film on the more experimental side is that, it doesnt have to really make sence.... and what makes it interesting is seeing how you would merge scenes togeather. basicly experimental will leave you to be more creative because its forcing you to give it sence...

Your film shounds like a good idea for a personal project. But, I've got a few suggestions. Why not, instead of animating this with a fresh character, rip the video of all these great action films, and then play around with the image, SO MUCH so that we can bearly recognize it, but still make...

I've worked with everything under the moon... personaly I feel that Avid is a great editing tool, but only because I've had experience editing on flatbeds for film.... I feel that I'm able to do my work alot faster and more efficiently with avid due to the resemblence to working linearly...

true that, Reversal doesnt have as many latitudes. It is not as forgiving as Neg stock in that sence. For specific looks refer to the Kodak student hand book. http://www.kodak.com/US/en/motion/students/handbook/index.jhtml they should have examples of the film stock you are using and...

well, I try. lol Anyway, I didnt mention but the digitranslator tool, cost around 500 bones.. so yea, expensive to translate OMF to protools but the correct way.

your not thinking logically though.... Your film is running at 23.98 frames per second.... your sound is constant... not a frame per second thing, but a time/duration thing... so when you bring your sound back and forth from Pro-Tools to FCP, your sound stays the same, because the duration of...

ok.. if you want your gun shots to be seemless with your film, here are a few things which I notice offhand. When the shot goes off, the camera is stable... makes it easy to see the comp. Ok thats the small thing, I'm not saying, add shaky cam to it, but if you have enough pixels to sacrafice...

Your new to filmmaking, and you want to sell your stuff. WeLLLL I've got to tell you, its hard. As your first film, dont put your hopes up, BUT the best way to sell your film is to get your work critiqued by people who know what they are doing... so your fellow peers and filmmakers. So that...