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Well I can tell you that no way in hell can you re generate your sequence from a mov file, because a mov files doesnt hold that type of information. What I can tell you, what you will most probably end up doing, is that you'll re digitize your film, and re-edit... Unfortunetly... if you have...

sure, I dont mind... I'll edit this and send you a PM of the finished article. You might want to check it for spelling etc, but it will be sound to a certain extent. PM you soon.

the DVX has alot of manual control. And the image quality looks better then most. Although if you dont have a Depth of Field adaptor on your lens, it will look like regular DV. Besides that from personal experiance the DVX is a great camera to use. I've used XL's Sony's, and such... and so...

DVX 100!!! totaly.... without a doubt...

The subject is scary but here ya goo lol http://www.mediacollege.com/video/shots/

well... just dont use windows movie maker.... look for another program to edit with? Its going to be a learning curve on any program if your comming from windows movie maker though, so watch out.

you must have a slow connectiont to have posted three threads of the same. lol Welcome. So what are your interests in filmmaking?

its in the way you are importing and then encoding your film. Ok, this is what you do. Capture your video in AVI or in OMF format. Edit, and then Render your final cut to a Full Rez, Uncompressed version of the original format. THEN Author a DVD, do not encode to MPEG2, thats going to TOTALY...

Because the moderators are also striving artists as well. They know how hard it is to get ahead. But if everyone starts doing this then you'll definetly be seeing some action going on here. Well unfortunetly I just spent my cash on upgrading my PC with dual screens more ram and a WAY better...

I encourage everyone not to plagerise, because if you do? you're only cheating your self. Use this as an example of a semi-decent paper lol. Dont mind the spelling.... anyway.. here you go. Michael-Anthony Pxxxxxx 57xxxxx FMST211/3History of Film to 1959 Section B The Road Film and the...

I encourage everyone not to plagerise, because if you do? you're only cheating your self. Use this as an example of a semi-decent paper lol. I think I got a B- on it.... anyway.. here you go. Michael-Anthony Pxxxxxx 57xxxxx FMST 212/3 Film Aesthetics Section B Tirez sur le pianiste...

get these books: Creative postproduction : editing, sounds, visual effects, and music for film and video / Robert Benedetti ... [et al.] Publisher Boston : Allyn and Bacon, c2004 Descript. xii, 164 p. : ill. ; 23 cm Bibliog. Includes bibliographical references and index Subject Motion...

I would sudgest using a high contrast film if you are to shoot in film/color. This will help you desaturate and also key only certain colors to show through. besides that, can you tell us a little more of the medium you will be shooting with and also with what will you be editing?

XL2 should be mountable on any standard tripod. just make sure that the tripod head is stong enough to support the camera. I would sudgest using a Manfrotto tripod. Sturdy!

BUT basicly the debate goes on weather it is ok to shoot people with or without permission. I would trust the ethical public shooting laws. ----------------------------------------- Development Photography Ethics Introduction Field officers doubling as amateur photographers face a...

Re: and will you take the moderators oath? Re: and will you take the moderators oath? if its to moderate the section for film studies, I will lol. I solomly do sware to moderate with the fullest of my abilities. :roll: Sorry Mark, it wasnt supposed to sound bad, just that when I was in...

I would call it something like Film Aesthetics and Film History Discussion forums. desc: Post essays and reaserch on any subject pertaining to film studies. ------------------------ I would only recomend thought that people post papers which have been reviewed academicly... its not fun...

I think its a good idea, and also that people like to view new posts and dont post them selves ...

I wouldnt be able to refer you a digital camera which can shoot higher frames but I know that if there's no sound while you shoot, as in you dont need live sound, shoot in regulat 16mm. Get a Bolex, shoot 16 mm, then get a telecine to the digital format you want. Then letter box it, and...

Check it out... http://www.greatdv.com/production/shootmonitors.htm this should solve your problem. BUT here is a quick recap, for lazy readers. lol 60Hz is the usual frame rate for a CRT moniter.... NOW to shoot at 25p you'd have to be having a refresh rate of 48 OR 72 on your moniter...