Zagorchinov
New member
I've just finished shooting a TV pilot, mostly location day interiors, very tight spaces.
My biggest problem is the fill light - most of the time I want it from the camera, very soft. But:
1. When the roof is low, the dolly grip or crew blocks the soft fill.
2. Bounced light takes a lot of space, Kino flo is better, but Kino flo is not as soft and strong as 3x3' bounced HMI light.
Please, share some ideas or proven ways for easy lighting for fill.
Thanks,
Dian
cinematographer
My biggest problem is the fill light - most of the time I want it from the camera, very soft. But:
1. When the roof is low, the dolly grip or crew blocks the soft fill.
2. Bounced light takes a lot of space, Kino flo is better, but Kino flo is not as soft and strong as 3x3' bounced HMI light.
Please, share some ideas or proven ways for easy lighting for fill.
Thanks,
Dian
cinematographer