Zagorchinov
New member
Greetings,
As a student cinematographer, I was wondering about the process of bleach bypassing the print film. Since I am going to test this process this week I want to ask for some advice.
I have the sensitometric charts from the local Kodak approved Boyana Film Lab - both from normal print and bleach bypass print film. The film is Kodak Color Print Film 2383.
From the charts and the curves, I can see that, regardless of the increased contrast and Dmax, the bleach bypassed print is about a stop denser in the area of the middle gray density (around D 1.0). This means that the bypassed print will be a stop darker on the screen.
So the question is: How do I compensate for this - increasing exposure or lowering the print lights?
I assume that increasing exposure with about 2/3 stops will give me better shadow detail, but it may be crushed down anyway by the denser print film. The increased exposure also tends to saturate the color and I want the image to be as much desaturated as possible.
On the other side, the print lights from normal exposed negavtive have to be around 15-18, which is a scary idea.
Please, if anyone have some expirience with this, I will be glad to learn about the details.
Thanks in advance,
Dian Zagorchinov
Student Cinematographer, Bulgaria
As a student cinematographer, I was wondering about the process of bleach bypassing the print film. Since I am going to test this process this week I want to ask for some advice.
I have the sensitometric charts from the local Kodak approved Boyana Film Lab - both from normal print and bleach bypass print film. The film is Kodak Color Print Film 2383.
From the charts and the curves, I can see that, regardless of the increased contrast and Dmax, the bleach bypassed print is about a stop denser in the area of the middle gray density (around D 1.0). This means that the bypassed print will be a stop darker on the screen.
So the question is: How do I compensate for this - increasing exposure or lowering the print lights?
I assume that increasing exposure with about 2/3 stops will give me better shadow detail, but it may be crushed down anyway by the denser print film. The increased exposure also tends to saturate the color and I want the image to be as much desaturated as possible.
On the other side, the print lights from normal exposed negavtive have to be around 15-18, which is a scary idea.
Please, if anyone have some expirience with this, I will be glad to learn about the details.
Thanks in advance,
Dian Zagorchinov
Student Cinematographer, Bulgaria