Hi, I'm preparing a feature film that's going to be shot with two vipers and recorded onto a OB1 (444 RGB 10 bit log) to be transfered into a 422 rgb signal (captured via downconverter). Would like to know if anyone knows the basic workflow (including transfer codecs, if to apply a correction...
Hi, I'm preparing a feature film that's going to be shot with two vipers and recorded onto a OB1 (444 RGB 10 bit log) to be transfered into a 422 rgb signal (captured via downconverter). Would like to know if anyone knows the basic workflow (including transfer codecs, if to apply a correction...
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