baselight

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    Colour on Stage: Real-time collaboration on the world’s longest running continuing drama, ITV Studios’ ‘Coronation Street’

    Improving production processes and enhancing pictures with efficient renderless workflows, with Colourist Stephen Edwards, Finishing Editor Tom Chittenden and Head of Post Production David Williams:
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    Colour on Stage: Maintaining the DOP’s creative looks from set to post with Karine Feuillard ADIT

    Meet with French Digital Imaging Technician Karine Feuillard ADIT, who worked on the latest Luc Besson film ‘Anna’ as well as the TV series ‘The Marvelous Mrs Maisel’, and FilmLight Workflow Specialist Matthieu Straub:
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