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I'd go with the ARRI S, the camera was designed as a professional camera and you can always get it serviced by one of the best technitians: Tim Carrol

I 100% AGREE with your favorites; in the 70's category it's quite clear your a Zsigmond fan! I heard McCabe and Mrs. Miller was shot on an old Mitchell BNC and that the biggest problem he had was not all that technical, but really only parallax! I also find it extremely fascinating at the method...

Re: thanks! Re: thanks! it's not in terms of scratching the film really, it's just: hair=blocks light from reaching emulsion = entire time you have an obnoxious hair at the edge of your frame.

well it's a black and white film, and it's been roughly a decade since a new release of a much more refined emulsion of B&W Kodak negative stock (though Stranger Than Paradise looks like reversal), and either way they havent had many advancements in the B&W realm, so you're fine if you use...

For shallow depth of feild, suggest you use a fast telephoto, light it at a low exposure, and shoot in telephoto.

answer: shoot film