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I'm attending the University of Kansas Film School right now. More to come, I'm sure. [email protected] wstdtmflms

The University of Kansas has an ever-growing film program, with success stories coming fast and furious. Former alumni include Alex Graves (executive producer, co-producer The West Wing), Chris Martin (Visual Effects Coordinator, The Clubhouse), as well as current faculty including Kevin...

I agree with the use of the tube. We've done that on several shoots. Unfortunately, on the long shots, depending on how open the room is, you may just have to take the tube out in post. But, it's the easiest way to go.

I've been watching several movies in classes lately, and I've been wondering what exactly are the main variety of film stocks to choose from, and what they do for the look of a movie. I just watched the original footage for Dazed and Confused and, while the final was a color-corrected reel, I...

If you are worried about shadows, bounce a soft fill onto the background to eliminate those dark shadows. Two zips crossing the middle axis of the scene/set. Even better, to diffuse the light even more, is to bounce the fill lights off of a feflector onto the background, so that the light...

I am looking for a reasonably priced, basic light kit. I was wondering if anybody knew any companies out there that did basic kits, or sold pieces individually. Specifically, at this time, I'm looking for two omnis, possibly a third, a zip (soft fill), and the accesories (barn doors, stands...

The biggest problem directors put up with? Too many to name. Directors and filmmakers have to be like Marines, ready to go and improvise at a moment's notice, sometimes going in blind on a hunch that something will work, playing with millions of dollars of other people's money, casting...